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Diary in a Double Bind: The Literary Refuge of Hōjō Tamio
https://doi.org/10.51072/0000000475
https://doi.org/10.51072/00000004750c2fd12d-b9e4-483a-9256-c5d84ae634cb
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
Full Text (340.7 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-04-13 | |||||
| タイトル | ||||||
| タイトル | Diary in a Double Bind: The Literary Refuge of Hōjō Tamio | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Hōjō Tamio | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | diary | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Hansen’s disease | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | “leprosy literature” | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Kawabata Yasunari | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.51072/0000000475 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
Ono, Robert
× Ono, Robert |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Hōjō Tamio (1914-1937) is arguably the only Japanese short story writer who has won significant critical acclaim as well as popularity among contemporary readers while being diagnosed with Hansen’s disease. Up until today, he has been noted as a powerful chronicler of the lives of the patients, and a stronghold of literary history surrounding the disease. Celebrated literary figures, especially Kawabata Yasunari, who helped publish Hōjō’s works, were also eager to sustain his reputation in this vein. But did he wish for such a role? Through analyzing his diary entries written between 1934-1937, this paper aims to shed a light on an aspect of Hojo’s persona, which to some extent has been overlooked: a troubled, angry young writer who was more than occasionally doubtful about the authenticity of his own fame, and who was seriously irritated by the authorities suffocating his freedom of expression. While the diary is crucial to understand Hōjō’s thoughts, it also gives rise to a double bind situation, where he could only express his discontent and wrath under the condition that no other person is allowed to access his manifest. | |||||
| 書誌情報 |
Journal of social policy and social work 巻 22, p. 5-14, 発行日 2018-03 |
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| 出版者 | ||||||
| 出版者 | Japan College of Social Work | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 1342-7482 | |||||
